{"id":2707,"date":"2019-03-04T04:07:57","date_gmt":"2019-03-04T04:07:57","guid":{"rendered":"https:\/\/www.basqueeducational.org\/?page_id=2707"},"modified":"2019-05-23T02:40:30","modified_gmt":"2019-05-23T02:40:30","slug":"about-basque-cinema","status":"publish","type":"page","link":"https:\/\/www.basqueeducational.org\/eus\/about-basque-cinema\/","title":{"rendered":"Euskal Zinemari buruz"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div class=\"vc_row wpb_row vc_row-fluid gradient-container-1\"><div class=\"gradient-column-1 wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\">\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<p>(Rob Stoneren pasarte bat, British Film Institute-koa)<\/p>\n<p><span style=\"color: #333333;\">Sortutako polemika <a style=\"color: #333333;\" href=\"http:\/\/www.basqueclub.com\/Medem.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Julio Medem-en Euskal Pilota: Azala Kontra<\/a> Harria euskal identitatea zineman irudikatzeko eta aztertzeko borrokaren azken borroka baino ez da. Lehen bidaiek arraza menderaezina sortu zuten paisaia eta ondare paregabea ospatzen zuten, eta Europa kontinentalean historikoki, linguistikoki eta kulturalki isolatu den nazio baten nozio erromantiko honek, Pirinioen alde banatan isurtzen diren probintziak dituena, atzerriko idazle eta zinemagileak ere liluratuko zituen. hala nola, Orson Welles.<\/span><\/p>\n<p>Hala ere, Espainiako Gerra Zibilaren ondoren (1936-39), hagiografia frankismoaren (1939-75) politika eta taktika zapaltzaileen aurka egin zen, zeinek biltzeko eskubidea eta euskararen erabilera debekatu baitzuen, eta disidenteak bultzatu zituen. eztabaida politikorako estalki ziren zineklub pribatuetara. Ondorioz, pentsamendu eta ekintza politikoa zinemaren teoria eta praktikarekin bat egiteak film dokumentalean sinesmen sendoa zabaldu zuen erregistro eta propaganda tresna gisa.<\/p>\n<div style=\"padding: 56.25% 0px 0px; position: relative; text-align: center;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/player.vimeo.com\/video\/86379258?title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script><\/p>\n<p><!--nextpage-->Meanwhile, the distinctive delights of Basque hospitality led to the establishment of the San Sebastian Film Festival in 1953, and various short film and documentary festivals followed. Basque documentarists sought to express the contrast and discord that defined their relationship with the centralized Francoist film industry and, though deprived of Euskera, their juxtaposition of sounds and images created an equivalent language of conflict that culminated in the introspective Ama Lur (1968). Made in the same year that saw an escalation in the violence that has overshadowed the development of the modern Basque Country, Ama Lur inspired many, both politically and artistically, to the extent that, following the end of the dictatorship, the first autonomous Basque government promptly dedicated 5% of its entire budget to the task of nation-building through revival of the indigenous film industry.<\/p>\n<p>Garaiko epopeia asko jarraitu ziren, diru-laguntza eskuzabalak aprobetxatu zituzten zinemagileek egindakoak, eta ekoiztetxe berriak sortu ziren. Bertan Filmeak-ek egindako Ikuska dokumental sailak Imanol Uriberi bezalako ikasketak eman zizkion, zeinaren aurrerapenak dokumentalaren, birsorkuntzaren eta fikzioaren bidez izan ziren nagusi, eragin zuen \u2013eta dudarik gabe terrorismoaren alde gehiegi okertu zuen\u2013 Euskal Herriaren irudikapen zinematografikoan. Euskal gizarteko gai eta kezka batzuek, hala nola, drogen kontsumoa eta hiri-alienazioa, arazo horien izaera unibertsala iradokitzen dute; baina baikortasuna, arraroa bada ere, ez da baztertzen.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_grey wpb_content_element  wpb_content_element\" ><span class=\"vc_sep_holder vc_sep_holder_l\"><span class=\"vc_sep_line\"><\/span><\/span><span class=\"vc_sep_holder vc_sep_holder_r\"><span class=\"vc_sep_line\"><\/span><\/span>\n<\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5>For more information on Basque Cinema:<\/h5>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_row wpb_row vc_inner vc_row-fluid vc_row-o-equal-height vc_row-o-content-middle vc_row-flex\"><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_btn3-container vc_btn3-center vc_do_btn\" ><a class=\"vc_general vc_btn3 vc_btn3-size-md vc_btn3-shape-square vc_btn3-style-modern vc_btn3-block vc_btn3-color-default\" href=\"https:\/\/nabasque.eus\/culture\/2004-Euskal-Etxeak-Magazine-Basque-Cinema-64_i.pdf\" title=\"\" target=\"_blank\">Euskal Herria and the Adventure of Film (2004)<\/a><\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_btn3-container vc_btn3-center vc_do_btn\" ><a class=\"vc_general vc_btn3 vc_btn3-size-md vc_btn3-shape-square vc_btn3-style-modern vc_btn3-block vc_btn3-color-default\" href=\"http:\/\/www.etxepare.eus\/media\/uploads\/publicaciones\/euskal_zinema_franc.pdf\" title=\"\" target=\"_blank\">Euskal Zinema - Basque Cinema (2012)<\/a><\/div><\/div><\/div><\/div><div class=\"wpb_column vc_column_container vc_col-sm-4\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"vc_btn3-container vc_btn3-center vc_do_btn\" ><a class=\"vc_general vc_btn3 vc_btn3-size-md vc_btn3-shape-square vc_btn3-style-modern vc_btn3-block vc_btn3-color-default\" href=\"http:\/\/basque.unr.edu\/docs\/Basque_Cinema.pdf\" title=\"\" target=\"_blank\">Basque Cinema - An Introduction - Jaume Marti-Olivella<\/a><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>(An excerpt by\u00a0Rob Stone, from the\u00a0British Film Institute) The controversy engendered by Julio Medem&#8217;s Basque Ball: The Skin Against the Stone is only the latest bout in a struggle to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"give_campaign_id":0,"_tec_requires_first_save":true,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"_tribe_blocks_recurrence_rules":"","_tribe_blocks_recurrence_description":"","_tribe_blocks_recurrence_exclusions":"","jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2707","page","type-page","status-publish","hentry"],"campaignId":"","jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/PaFejT-HF","_links":{"self":[{"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/pages\/2707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/comments?post=2707"}],"version-history":[{"count":5,"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/pages\/2707\/revisions"}],"predecessor-version":[{"id":3058,"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/pages\/2707\/revisions\/3058"}],"wp:attachment":[{"href":"https:\/\/www.basqueeducational.org\/eus\/wp-json\/wp\/v2\/media?parent=2707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}